Painting Sina
I first came across Sina on the internet. I was feeling low after a series of events brought me right down to rock bottom. I was trying to pick myself up by playing my favourite groups, when I saw, ' Firth Of Fifth (Genesis); drum cover by Sina '. Who is this Sina, I grimaced. How can she tread the holy ground of Phil Collins. I had to watch her and was blown away; first by her respect for the music of Genesis and second, by her sheer talent. I knew I had to paint this phenomenon.
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I watched more of her many videos, absorbing visual elements of each, until the 'Sina - Drums' image appeared in my mind. There was now a burning, exciting urge to get this down on canvas. There are two problems. One, the image is partial, with lots of swirling mist and stars in it. Where has that come from? Two, is it the right image to encapsulate and do justice to Sina?
Two other images were in my mind, contending for fame. One from 'Voggy' and one from 'Here I Go Again'. Both of these videos are beautiful and are works of art in their own right. More on them later. The urge was now trebled. What do I do. Which one should I paint. After a cup of tea and a broken biscuit, I decided to paint Sina with her drums.
I only had a 300 mm x 240 mm canvas, which was a bit small to do detail but beggars can't be choosy. It certainly ruled out the 'Here I Go Again' painting option, which would need a larger canvas to capture the facial detail. I was now more focused. It had to be Sina with her drums.
Painting 'Sina - Drums', took about 30 sessions over 40 days, even one on Christmas day. An average session time of 2.5 hours. At the end of each session, I snapped a photo, with my Lumia Windows phone. I would then review the photo, to figure out how to proceed. These photos are sacred, showing how the composition developed, with Sina in different action positions, swirling mists and stars. If you are intrigued to see them, please go to the next part.
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